The White Knight's Miniature Castle

One of the main differences between fantasy and historical miniatures is the size of the mounts. Historical manufacturers seem to consider horses as a waste of lead, since they make them much smaller (see the Horse Miniature Comparison page for more on this subject). Being used to the bigger, fantasy counterparts, the current GW size seems about right to me. A major drawback is the fact that they don't have many options in their armoured horses. They still use the same two plastic variants they've been producing for years, with the sole addition of a third head variant with the new knightly order sprue.

Closer examination of the new GW imperial plastics gave me the idea of creating a few head variants myself. Some are fairly simple conversions using a knife, some plastic bits and a drop of glue. Others are more complicated and will require a fair amount of greenstuff.

The most basic conversion is to start from a standard armoured horse head and a plastic standard top.The knightly order sprue comes with 3 different standard tops: a skull, a panther and a wolf. Two easy steps: first, remove the spike on the horse's head that makes it look like a unicorn. Then replace it with the standard top. Voila, instant first knight or grandmaster horse head. It may sound simple, but it looks really good if you reposition the horse to rear up on it's hind legs. Easy and effective. The same can be achieved using the crests from spare imperial or bretonnian knights heads for more variety, or even other items like human skulls or whatever suitable bits you have left over from other projects.

Now for something a bit more complicated, if you feel up to it. The next conversion will require some greenstuff, a spare plastic knight head and a plastic horsehead. The same techniques can be applied to a metal horsemodel you have lying around if you want. If you stick with the plastics, there are a few possible options. You can start from a basic armoured horse head like before, or from a barded (empire or bretonnian) or bare head, in which case you'll have to sculpt the pieces of armour as well. In this example I chose to go with the old imperial barded horse head. The advantage of this older head lies in the fact that it's just slightly slimmer than the other ones, thus giving more opportunity to add layers without it getting too big. But that doesn't mean you can't use the other heads with equal or better results.

If you used one of the clothbarded or unbarded heads, now is the time to start sculpting some armour. We don't want to make this too hard as it's our first one, so we'll stay close to the standard issue. If you're new at this, I'd recommend you work on one part at the time and let it cure. It's very easy to accidentally put you're finger on some freshly sculpted detail while you're working on the other end of the model. For the frontal plate, there's not much to describe. Start with a small more or less rectangular piece of green stuff in the middle of the front, use your sculpting tool (something with a flat side, if you don't have that, a toothpick will do, that's what I used at first, but don't use the tip) to gently press some of the (excess) greenstuff into the locations where you want it (e.g. around - but not in - the eyes). Try to roughly shape the facial armourplate like that. Then use your finger to gently roll a wet toothpick back and forth over the greenstuff, to give it a smooth and even texture. The wood will hold the water for a longer time, so that it doesn't stick to the greenstuff and the rolling motion will flatten the surface. You can then use a knife or appropriate sculpting tool (I just used the long end of a thin needle, as this is blunt and won't slice into the plastic underneath) to "cut" away the excessive greenstuff around the edges of the facial plate and giving it it's final shape. After doing this it is possible that you'll have to even the surface again. In a later article we'll cover adding texture and detail, but let's not overdo it just yet.

Next are the plates for the neck piece. Easiest thing is to do them one at a time. Start on the top with a small rectangle (although you could probably work from the bottom up as well). Even the texture as described above and shape the edges like before. The first plate is done. Now add a second rectangle (make sure they're about the right size, so you don't end up a few mm short at the end. Although you could easily fix that by sculpting a thinner metal band below the last plate). Use a sculpting tool (knife, toothpick, dental tool, whatever) to press some of the greenstuff away from the top section of this new neckplate towards the lower section, so that it is thinnest at the top where it meets the first plate, thus creating the impression that the upper plate is overlapping the lower one. Shape this plate as above and continue the same process until you're all the way down.

After this has cured, it's time to cover up the joint between the crest and the head. Roll out a tiny snake of greenstuff, not to thick and just long enough to go around the bottom of the crest. Don't flatten it, except maybe in the spots where the ears have to come. Next, go with a (wet) needle all the way around to impress diagonal lines to get that typical ropy effect. Afterwards it's easy to add two new ears with greenstuff (basically, small triangles that you stick to the figure with a blunt toothpick or sculpting tool).

Because I found this particular head to be a bit slimmer than the regular plastic horseheads, I also added a thin additional layer to the cloth barding, but that's a simple task and I won't bore you with the details.

Et voila, your one-of-a-kind imperial horse is ready to be assembled.